3/20/2023 0 Comments Sylo nozra losing myselfI do like to tie everything back to spirituality. Right now to spends time between here and Los Angeles as he grows his career. I just have to find a place for each instrument to live in its own frequencies," he says. When it comes to mixing, I don't have to think out of the box, 'cause I have to with production. "Production-wise, I have a certain way of how I want the vocals and harmonies to sound, how far to pan left and right, how distorted or clean I want things to sound. ![]() "I can sing melodies all day long, but when it comes to production, it's about being able to think structurally about arrangements - what instruments fit and where the frequencies they reside in are and how to make it all work and glue together. In terms of that whole 10,000 hours to mastery thing, he says he's been singing since he was a toddler at the moment, it's about levelling up the production skills. He produces and mixes his own stuff and has been on a regular release schedule, dropping singles and EPs (including 2016's this_era, 2017's Fervor and 2018's Mud Mask). But then when it comes to weird rhythmic things, even like sounds of glass breaking, I can make that more rhythmic by chopping up some loops." I tried to study a lot of that," Nozra says. Even if it's simple four-to-the-floor, he definitely doesn't play to the grid. I think a huge influence of that would be Kaytranada the way he produces, it just sounds so natural and bouncy. But a lot of times I'll just punch it in, but I still try to capture the natural feel of how a human drummer would play. ![]() "I do program most of my drums and play with the MIDI keyboard just to capture the feeling. If you can make anything sound good on a guitar and vocals first, then whatever you do after, it's just a no brainer," he says. As a songwriter, what's really important is the story, the message. "I'm really trying to create my own sound in terms of making heavy indie rock. In terms of plug-ins, he uses Omnisphere a lot. I do some stretches and just bring the vibes up. "When it gets dark, I have the whole ritual that I go through. A typical studio session might involve bouts of yoga and bringing up the energy by lighting incense and making use of the various salt candles around the space. "You're definitely meditating in here," he says. It's an intimate bedroom space that enables his artistic freedom, he says. It's a spartan set up - an Akai MPK49 keyboard, Ableton Live, a couple of guitars and a mic -and the self-taught magic happens from there. While he records in various studios in Toronto, home base for the moment is his bedroom studio in his parents' Thornhill home. So when making my own stuff, the two flavours come together." When I started making my own music and picking up the guitar when I was 15 or 16, I was writing a lot of stuff that was based around indie rock and singer-songwriter stuff, like John Mayer and Jason Mraz. I got into the Strokes, Arctic Monkeys, Kings of Leon. "I was listening to purely R&B, hip-hop and pop until high school when I discovered punk, emo and indie rock. From there I got into FL Studio," he says. "I just went to Long & McQuade and I bought the cheapest USB mic. He discovered he had a knack for developing melodies and lyrics and soon wanted to record. She would bring home like VHS tapes of K-pop shows from the local Korean convenience store and teach me the dance moves." ![]() I was just completely influenced by my sister back then. "And in the late '90s, K-pop was just starting to bloom. I would discover MuchMusic and I'd see Slipknot or Marilyn Manson videos and wonder what it was all about," he says. "She listened to golden era '90s R&B and hip-hop, so I was around that. It was his older sister who introduced him to the sounds of late '90s R&B, soul and the emerging K-pop scene at the time. Coming from a family that was steeped in the Korean community church, he listened to only religious music from a young age, and played drums and sang for the congregation. Raised in Thornhill, ON, Nozra went to the same high school as artists like River Tiber, Goldchain, Scott Helman, Deanna Petcoff and more, either in or within a couple of years of the same grade. "Growing up in church, I was just surrounded by music." It was intense, but it was super motivational, spiritual and cathartic," says the singer-songwriter and producer of tracks like "Pink Towel" and "Losing Myself." "We'd spend weekends up north just singing and worshiping. "I went to so many church retreats when I was a kid," Nozra says. Known for his chill avant-R&B flavoured tracks that rack up multimillion Spotify streams, Sylo Nozra is all about the zen of his bedroom studio.
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